Information technology considers the memory / history trouble every bit a crossroads for assessing modernistic and postmodern thinking nearly a number of current historiographical problems : the uses of mnemonic schemes in historical estimation ; the significance of ...

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Author: Patrick H. Hutton

Publisher: UPNE

ISBN: 0874516374

Category: History

Page: 229

View: 479

Hutton considers the ideas of philosophers, poets, and historians to seek outthe roots of fact as mere recollection.

It is somewhat tiresome that this piece of work, and then vitally important for the history of the classical art of retentivity and which will be constantly referred to in the class of this book, has no other championship save the uninformative Advertising Herennium.

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Author: F A Yates

Publisher: Routledge

ISBN: 9781136353611

Category: History

Page: 452

View: 191

Kickoff Published in 1999. Routledge is an banner of Taylor & Francis, an informa company.

Department XIT Ancient HISTORY . As ancient history is most upon the same plan as modern , but very few remarks will be necessary . Information technology is indeed admitted , that there are ii modes of reckoning — one is from the cosmos downwards ...

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Author: J. R. Murden

Publisher:

ISBN: HARVARD:32044018727503

Category: Mnemonics

Page: 113

View: 502

A correct popular philosopher ' In Northanger Abbey Jane Austen transforms philosophy into fiction , but what she attacks in that fiction is history . Her defence of the novel , like other famous defences of the imagination , claims ...

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Author: Jocelyn Harris

Publisher: Cambridge University Press

ISBN: 0521542073

Category: Literary Criticism

Page: 271

View: 686

Offers a radical new thesis about Jane Austen's construction of her art and recreates substantial surface area of her mental and imaginative life.

I import some ideas from other disciplines, my intent is non to craft a new interdisciplinary arroyo to retentivity. ... For an overview of how diverse scholars have linked memory to history, run across Hutton, History as an Fine art of Memory. 58.

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Writer: Nathan R. Johnson

Publisher: Albma Rhetoric Cult & Soc Crit

ISBN: 9780817320607

Category: Computers

Page: 224

View: 383

"In Architects of Retentiveness: Information and Rhetoric in a Networked Archival Age, Nathan R. Johnson charts turning points where concepts of retention became durable in new computational technologies and modern retentiveness infrastructures took concur. He works through both familiar and esoteric retention technologies-from the card catalog to the book cart to Zatocoding and keyword indexing-as he delineates histories of librarianship and informatics and provides a working vocabulary for understanding rhetoric's role in contemporary retention practices. Probes the evolution of information management later on Earth War II and its consequences for public memory and human agency"--

A Choice OF EVENTS FROM Aboriginal HISTORY . . . Artificial Retention beginning taught by Simonides , B. C. 469 Athenian regular army under Nicias , captured at Syracuse , 413 Beginning of the Olympic Era , 776 Byzantium , ( now Constantinople ...

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Writer: Pliny Miles

Publisher:

ISBN: HARVARD:HNUE3E

Category: Electronic books

Page:

View: 678

A Option OF EVENTS FROM Aboriginal HISTORY . . . 776 44 . . . . . Artificial Retentivity first taught by Simonides , B. C. 469 Athenian ground forces under Nicias , captured at Syracuse , 413 Offset of the Olympic Era , Byzantium , ( now ...

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Author: Pliny Miles

Publisher:

ISBN: OXFORD:600043683

Category:

Page: 360

View: 618

This image of a historical photograph , one of the earliest in Kundera'due south fiction , reveals what proves to be a topic of incessant reflection in his work : the role of photographic documentation in cultural memory .

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Author: hana pichova

Publisher: SIU Press

ISBN: 0809389428

Category:

Page:

View: 672

A SELECTION OF EVENTS FROM Ancient HISTORY . . . . 4 $ Artificial Memory first taught past Simonides , B. C , 469 Athenian regular army under Nicias , captured at Syracuse , 413 Starting time of the Olympic Era , 776 Byzantium , ( now Constantinople ...

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Author: Pliny MILES

Publisher:

ISBN: BL:A0023726050

Category:

Page:

View: 304

Medieval music and the fine art of memory / Anna Maria Busse Berger. p. cm. Includes bibliographical references (p.) and index. ISBN 0-520-24028-half dozen (cloth : alk. paper) 1. Music—500–1400—History and criticism. 2. Music— 15th century—History ...

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Author: Anna Maria Busse Berger

Publisher: University of California Press

ISBN: 9780520314276

Category: Music

Page: 304

View: 781

Winner of the ASCAP Deems Taylor Award and Social club of Music Theory'southward Wallace Berry Honor This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex film of a earth in which literacy and orality interacted. Request such key questions as how singers managed to memorize such an enormous amount of music and how music equanimous in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of retention on the limerick and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, information technology did not make memorization redundant but allowed for new ways to commit cloth to memory. Since some of the polyphonic music from the 12th century and afterwards was written downward, scholars accept long assumed that information technology was all composed and transmitted in written grade. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music every bit if information technology were no different from music of the nineteenth century. But Medieval Music and the Art of Retention deftly demonstrates that the fact that a piece was written downward does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, 1 that emphasizes the interplay of literate and oral limerick and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.